Photograph Landscapes At Sunset Not Just Sunsets
The Whole ShowOnce again, a sunset has to be sufficiently strong and unusual in order to make a compelling photograph when there is little else in the image. I’ve made very few of these in my 69 years of capturing outdoor scenes. Here are two images that reasonably qualify. But, even in these two cases there is a small amount of non-descript ocean showing to ground each image. [caption id="attachment_32101" align="aligncenter" width="1000"] Multi-colored Clouds, Laguna Beach[/caption] [caption id="attachment_32103" align="aligncenter" width="751"] Raging Sky, Laguna Beach, CA[/caption] The first image shows a rare phenomenon in which the high background clouds reflect the usual warm wavelengths, while a different layer closer to the ground is in shadow and rendered blue by the average color temperature of the exposure. The second image also features different cloud layers, with the closer ones in blueish shadow. However, the distant warm colors are divided into two areas with the upper one being wild and turbulent.
Sweeping Sunsets with Minor Land FormsThe primary difference between this category and the previous one is that an attempt is made to anchor the sunset to a recognizable though still minimal land area. A high percentage of sunset images made by casual photographers falls in this category, though such images can be stunning if the sky is sufficiently dramatic. [caption id="attachment_32104" align="aligncenter" width="1000"] Tampa Bay, FL[/caption] [caption id="attachment_32105" align="aligncenter" width="1000"] Sedona, AZ[/caption]
Sunsets as Major ElementsIn this category, brightly lit reddish clouds in the sky, and interesting landforms and structures below are equally important to the composition. If you ask yourself whether you would take this shot without the sunset, the answer is likely to be “probably”. [caption id="attachment_32106" align="aligncenter" width="1000"] Red Sky at Night, Kauai, HI[/caption] [caption id="attachment_32107" align="aligncenter" width="750"] Same Kauai sunset, but vertical composition, CA[/caption] In the above two images, the sailboat and the village were both in silhouette. Nevertheless, both images read tropical islands loud and clear. They were taken toward the height of an amazing sunset that took an hour to evolve from beginning to end. There were no mediocre images, just great ones and superb ones, and a variety of compositions. These images were made almost ten years ago; and how I wish I could return to that exact scene with my present Sony A7rM4 61 MP camera! The image immediately below is the one used as the lead-in for this article. It was taken on Kodachrome film in 1982 and features the graphic silhouette of the Aliso Beach pier. It is still one of the best sunset shots I ever took. [caption id="attachment_32108" align="aligncenter" width="1000"] Aliso Beach, CA, 1982, on Kodachrome[/caption] The next image is also a sunset at Aliso Beach taken from a different direction and a few months later. The green and yellow water reflections of the mercury and sodium vapor pier lights contrast sharply with the warm orange to magenta colors in the sky. [caption id="attachment_32109" align="aligncenter" width="1000"] Aliso Beach, CA, 1983, on Fujichrome[/caption] Both images feature a well-known structure that is as photogenic as the dramatic sky even though the pier is silhouetted and shows little detail. The two photographs are also historic because this pier was taken down in 1999 after being damaged by 20-foot waves; and it was never replaced. The remaining four images in this category have unusual sunsets. And, again, the underlying landscapes are worthy of photographs even without such dramatic skies, which I had done often prior to these exposures. They are on my priority list to visit first whenever dramatic skies and lighting are likely to occur. [caption id="attachment_32110" align="aligncenter" width="782"] View Toward Yavapai Point at Sunset[/caption] [caption id="attachment_32111" align="aligncenter" width="1000"] Grand Canyon Sunset from Lookout Studio[/caption] My initial intent was to capture the warm light of the setting sun over the Canyon looking toward the East as shown in the first of the above two images. Within three minutes the sky looking north over Lookout Studio intensified dramatically. I only had a minute to reframe my view and make several exposures before the light hitting the canyon formations disappeared completely. The second of these two images is iconic. But I could have easily missed it had I not been alert to the different possibilities. Though the original plan was to photograph just the sunset and canyon without people or structures, I quickly realized how all of these elements went together to capture a magic moment. In gallery and museum exhibitions I titled this image “Cocktails at the Canyon” to reflect the early philosophy guiding the development of Grand Canyon Village, which was to attract people from urban areas to experience the immensity and power of raw Nature, but in comfort. The last two examples of images with sunsets and landscapes as equally important elements have wild pink skies and red rock formations. The first one has many elements, while the second one is minimal consisting of one formation and a very wild and colorful cloud formation. [caption id="attachment_32112" align="aligncenter" width="1000"] Penstemons and Pink Skies[/caption] [caption id="attachment_32113" align="aligncenter" width="1000"] Pink and Purple Clouds Over Red Rocks[/caption] Regarding the second of these two image, an argument can be made that the sky is more important than the landform. I chose to consider them as equal, as there is good shadow detail in Carousel Rock, and the Mogollon Rim, which defines the southern edge of the Colorado Plateau, is in plain view behind the rock formation.
Sunsets as Mood SettersDepending on the visual strength of the sunset, and also upon how much of it you choose to include in your photograph, the inclusion of sunset elements may serve as a way of adding mood to a landscape photograph. The following image of Cathedral Rock was taken from a rarely photographed perspective, as the sun sets behind the formation, requiring shooting into the sun. However, the dead tree, wild vegetation and eerie clouds reminded me of Halloween, which was coming up. In particular, the yellow flare and fiery orange sky, topped with a dark blue-gray cloud layer definitely said “Halloween”. [caption id="attachment_32126" align="aligncenter" width="1000"] Cathedral Rock at sunset is photographed countless times, but almost never from this perspective.[/caption] The next seven images in this category all exhibit definite moods, and in most cases because of the way that warm sunset tones project onto landform surfaces. [caption id="attachment_32127" align="aligncenter" width="1000"] San Elijo State Beach, CA[/caption] [caption id="attachment_32128" align="aligncenter" width="1000"] Shorebirds Foraging at Sunset[/caption] [caption id="attachment_32129" align="aligncenter" width="1000"] Snow Geese at Sunset, Bosque Del Apache, NM[/caption] [caption id="attachment_32130" align="aligncenter" width="749"] Cathedral Rock from Oak Creek, Sedona, AZ[/caption] [caption id="attachment_32131" align="aligncenter" width="721"] Cathedral Rock from Crescent Moon Ranch[/caption] [caption id="attachment_32132" align="aligncenter" width="1000"] Setting Sun Breaking Through Storm Clouds, Sedona[/caption] [caption id="attachment_32133" align="aligncenter" width="1000"] Evening Ferry Nearing Stykkisholmur, Iceland[/caption] The last sunset category shows landscapes in which the setting sun provides accents to more classic landscapes.
Sunsets as AccentsThere are also many scenes in which the setting sun plays a small roll in late afternoon and early evening landscape scenes. Not much commentary is needed in the first two examples. [caption id="attachment_32134" align="aligncenter" width="1000"] Day’s End, Bandon Beach, OR[/caption] [caption id="attachment_32135" align="aligncenter" width="1000"] Bandon Beach Vista Looking South[/caption] Sunsets play a minor but interesting roll in the final two images in this article, both of them involving the moon. In the first of these two, a rising near full moon shines through wispy sun-reddened clouds above the Mogollon Rim. [caption id="attachment_32136" align="aligncenter" width="1000"] Moonrise and Sunset 1[/caption] The last image is much more confined, and captures an almost full Super-Moon rising as the last rays of the setting sun warm Sedona’s red rocks. This was the only day in this lunar cycle that the two effects could be captured in the same image: the moon had just risen while the last rays of the setting sun warmed the rocks. On the next evening, the rising Super Moon would be full. But, the sun would already have set. [caption id="attachment_32137" align="aligncenter" width="1000"] Moonrise and Sunset 2[/caption] One final note: many of the observations and principles in this article would apply to sunrises as well. However, sunrises seem to change more quickly than sunsets, and require faster thinking and action to capture good images of these types. Or, maybe it’s just that I seem to move a little slower so early in the day.
Harvey Stearn January 2021
Harvey Stearn has photographed landscapes and wildlife for over sixty years. Though he was a top executive for two large scale land development and home building corporations, he always found time for his fine art photography which won many awards. His work was exhibited in art museums in California and Arizona, and was also featured in billboard advertisements and published in magazines. Mr. Stearn served on the California Arts Council for nine years, including two years as Chairman and another two as Vice Chairman. In addition, he was the founding Chairman of the John Wayne Airport Arts Commission in Orange County, California. Mr. Stearn’s work was sold through Arizona galleries for 15 years. In recent years he wrote 14 illustrated articles for Luminous-Landscape.com, and published a book entitled “In Search of the Old West”. He was a guest lecturer on photography on a cruise ship visiting Chile, Argentina, Uruguay and the Falkland Islands. In 2019, his landscape image "Clearing Snowstorm at West Fork of Oak Creek" was selected as one of the top 100 images out of 3800 submissions for NANPA's (North American Nature Photographers Association) Showcase exhibit and publication.